![]() ![]() What started with just one person eventually grew into a full-time team of five, including essential contributions from Akash Thakkar who worked on the game’s sound and Rich Vreeland, better known as Disasterpeace, who composed the game’s music. I deeply appreciate everyone who has backed us, had faith in us, had patience through this process,” Preston wrote in the project’s most recent update. ![]() “It’s been an incredible adventure leading up to launch. Taking the sentiment of the original trailer and presenting it in a deeper, more polished light, this final reveal serves as an epilogue to the game’s development, gesturing with the forlorn ambling of its piano toward what awaits the player once they’ve completed a similar journey. People saw Preston’s fluid and vibrant animations, they heard Wiesenfeld’s haunting melody, and it felt like coming home.Ī new trailer announcing the game’s March 31st release on PC and Mac shows just how far the project has traveled since backers were first entranced by its audio-visual siren call in October 2013. Preston asked for a humble $27,000 for the game’s Kickstarter campaign, but ended up raising over 20 times that by its end. Grounded in Will Wiesenfeld’s introspective beat, Hyper Light Drifter wrapped its precious pixel art tendrils around every viewer’s grey matter until it held their imagination firmly in its grasp. The first trailer for Hyper Light Drifter was different in almost every way, but the effect was the same.Īlex Preston introduced his stylish action-RPG not with an apocalyptic bang but with the rhythmic chiptune meditations of a specialty Baths track. The dies irae of Giuseppe Verdi’s “ Requiem” was only there to make sure you never forgot. A desert slashed with muted yellows and clay reds set against a crisp aquamarine sky spoke for itself. It had audiences entranced from its first trailer. Mad Max: Fury Road (2015) wasn’t a tough sell. ![]()
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